Efrim menuck biography of donald

A field somewhere near the university. Up the stairs out the subway and into a poured concrete canyon. Brutal administration towers thrown up in the dirty s. From around those sharp corners we can hear a distant band playing on the rally stage, some kanadian thing that was popular then but never made it out of kanada. A low roaring beast, a cardboard maelstrom, an orchestra drowning a golden lotus uncurling and exhaling white noise.

I remember standing there with dust my eyes.

Efrim menuck biography of donald: Menuck's father was a doctor and

I remember feeling the world opening itself to me like a wide bright eye blinking terrible possibility and glory, and then I remember how bad the band sounded once we reached the source. Many years later I would home-tape borrowed classical records with all the input levels in the red. I was a furniture mover and I'd roll around town tired and sweaty those holy cassettes in the tape deck roaring through blown speakers while the engine groaned.

The dusk is hot and wet, and fat soggy clouds squat above the horizon fit to burst and ready to trumpet. My daughter has her headphones on and half a smile in profile. My own face is a grimace probably, bent into the wind and highway noise while the radio blares. All the wrong sounds are coming out of the car speakers, everything crowded and either too sharp or too dull.

The first time I heard the highway scream like that was in the united states of america. I was a frightened kid on tour for the first time with the godspeed-band. I remember trying to shrink away from that violent noise I remember the violence of that expanse I remember the sun was a white hole. A few years ago, on a different highway with my friend k.

The sound of a strange man getting out of the gate eagerly bent forward. Three notes. The final note an upward slide. I think about those bass notes a lot now. I wonder over the nature of the gesture, the intersection of instinct and intent, the benzedrine precision of their tumble and rise. Menuck : Sort of. Depends on the tune, I guess.

It seems to me that stuff like country music informs a lot of your music, but why do you think it is that people—maybe writers, maybe fans—focus on some aspects but miss others?

Efrim menuck biography of donald: Efrim Menuck, the Canadian musician

Menuck : Because most of the writing about our band is done by people whose beat is writing about indie rock, and indie rock is kind of ahistorical. And we try to react to that. Menuck : I think a lot of that is true. Certainly with the Internet, half the gig is churning endless amounts of content into this furnace, which is not a process that leads to longform pieces that have a lot of cohesion.

Menuck : For people who write about music that come from a more theoretical place, a lot of that not wanting to carry a lot of rockist baggage meant that a lot of shit just got thrown out the window. Rumpus : It also seems to me that a lot of people approach music criticism from a theoretical perspective. You never read about bands you cared about in those magazines—bands who were actually making a living on the road.

It was some alternate universe where only bullshit mattered. Rumpus : Definitely. For this, you just click a link and feel good. Menuck : For sure. Do you know what I mean? And when people are actually talking, it becomes a lot harder to pull off that same one-way bullshit. I can only talk about the world I live in. And I agree with you.

And I always felt weird about that. So coming from that point of view, the moment I hit my teens I realized that was all bullshit. But it means I have a hard time actually being blindly critical about people in general. Rumpus : That sort of stuff always bothers me because, in a sense, it condemns pretty much everyone who lives on the planet outside of certain intellectual Western communities.

And there are lot of people with faiths and different religions who are not dogmatic, whose faith oscillates and vacillates. Menuck : We had these huge student protests years ago that turned, overnight, into broad, popular protests against pretty much everything. It started with the students, but it was one of these weird moments of history where it felt like everyone was in the streets every night, and it was like that for a week.

Canadian musician.

Efrim menuck biography of donald: Efrim Manuel Menuck (born

Post-rock experimental rock drone. Musical artist. Biography [ edit ]. Musical equipment [ edit ]. Guitars [ edit ]. Amplifiers [ edit ]. Discography [ edit ]. Main article: Godspeed You! Black Emperor discography. Main article: Thee Silver Mt. Notes [ edit ]. Bands index.

Efrim menuck biography of donald: Biography. Menuck was born in Montreal

Constellation Records. Archived from the original on November 1, Retrieved April 12, Efrim Manuel Menuck. Black Emperor biography". Archived from the original on December 16, Retrieved December 19, Godspeed Releases. Archived from the original on December 17, Zion Live Music Archive. The topics of his lyrics range from the fear and loneliness experienced while driving alone on an American highway at night to urban decay, and even a tribute to a deceased pet dog.

Menuck is also known for integrating politics into song titles, lyrics, and album cover art for A Silver Mt. As such, references to anarchism and anti-war viewpoints are often expressed. While Menuck sometimes utilizes religious imagery in the lyrics and albums of Thee Silver Mt. Menuck has been an outspoken critic of the Israeli government; the liner notes for Yanqui U.

O criticize Ariel Sharon's visit to the Temple Mount. Along with Howard Bilerman, Radwan Moumneh and Thierry Amar, Menuck owns and operates the Hotel2Tango, a loft space that acts as a practice area, recording studio, and one of the very few non-commercial venues in Montreal capable of accommodating live concerts. The studio was originally confined to the recordings of friends and the bands of the people who own it, but has of late opened its doors to a multitude of other bands.