Dries verhoeven biography of donald

Why do we let ourselves be manipulated by corporations when they sell us their products, but we get suspicious when a man on the street wants to sell us his drama? Could we also honor that man for his performance, regardless of the credibility of his demand for help?

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Dries Verhoeven often stages his works as happenings in museums, at festivals and in public spaces where the audience can experience them directly. He lives and works in Amsterdam and Berlin. Songs for Thomas Piketty. Learn more Load video Always unblock Vimeo.

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Miriam Barhoum Dries Verhoeven often stages his works as happenings in museums, at festivals and in public spaces where the audience can experience them directly. How different are they allowed to be? Dries Verhoeven Oosterhout, the Netherlands is a theatre maker and visual artist. Dries Verhoeven creates installations, performances and happenings in museums, on location and in the public spaces of cities.

On the boundary between performance and installation art, he critically evaluates the relationships between the spectators, performers, everyday reality and art. The spectator is directly involved in the work or given the opportunity to steer his or her own experiences. In his work, Verhoeven highlights aspects of the common social reality in which we live.

He is not concerned with conveying a statement about reality, but mainly about unbalancing the visitor in order to evoke a shared vulnerability between the viewer and the viewed work. With gestures, which radically affect the public order of everyday life, he hopes to sow the seeds of doubt about the systems that inconspicuously influence our thoughts and actions.

Blurring the lines between performance and installation art, he sharpens the relationships between spectators, performers, everyday reality, and art. The spectator is directly involved in the work or given the opportunity to steer their own experience. In his work, Verhoeven marks aspects of the socio-political reality in which we live.

It is not about conveying a position towards that reality, but much more about activating the viewer's thinking, prompting critical reflection. He hopes to sow doubt about the dominant systems that subtly determine our lives and thinking.

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His work gets international acclaim and won numerous prizes, in he was awarded 'Best International Performance award at the Fadjr International Theater Festival in Tehran for 'Guilty Landscapes'. And in Verhoeven was granted the Fentener van Vlissingen Cultuurprijs for his outstanding contribution to the arts in the city of Utrecht and beyond.

Since Dries Verhoeven is a member of the 'Akademie van Kunsten', an organization which gives a platform to the debate about the worth and place of the arts in a healthy society.