Decollage di mimmo rotella biography

Once back in his homeland, he managed to graduate in from the Naples art high school and immediately began teaching art in Catanzaro. Byafter learning about and studying French and American art of the s, he flew to the United States on a prestigious Fullbright Fondation scholarship, attending the University of Kansas. The American experience allowed Rotella to discover and learn about all the major artists and trends of those years, such as Jackson Pollock and Robert Rauschenberg.

After a short break in his artistic career, he began the Decollage series in This series of works would become Rotella's primary creative expression. Rotella made decollages by manipulating different advertising or movie posters taken from cities, then tearing them up with his hands, brush handle, or scraper and bringing them back on different types of media.

Decollage di mimmo rotella biography: Mimmo Rotella was born on

He exhibited at the Venice Biennale in and at the Rome Quadriennale in Mimmo Rotella's works of art have been exhibited at the Museo del Novecento in MilanMoMa in New YorkTate Modern in Londonand the Guggenheim in Venicepassing through numerous other museums and the world's most prestigious collections. With the aim of preserving his works and documents of his artistic career, the Mimmo Rotella Foundation was established in at his behest.

Mimmo Rotella died in His works can be found in many museums and major Italian and foreign collections. Mimmo Rotella decollage technique consists of pasting on canvas advertising or movie posters found on city walls that the artist tore down. It was The Noveau Realisme movement ofof which Rotella was a member, that provided the definition "decollage" : playing with the meaning in a privative key, it is a t echnique opposed to normal collage.

A practice in use among Pop Art artists at the time, Rotella experimented with this technique on new media untilusing mainly advertising posters. In he devoted himself to the phonetic poetry experiments, calling epistaltic a meaningless neologismwhich in the same year he draws up the Manifesto published by L. Sinisgalli in "Civilization of machines".

Between andhe obtained the award of a scholarship from the Fulbright Foundationwhich allows him to travel to the US as an "Artist in Residence" at the University of Kansas City. Also in he realized the second personal exhibition at the Rockhill Nelson Gallery in Kansas City. Inhe suffers from an artistic crisis, during which interrupts his pictorial production.

Now convinced that there is nothing to be done again in art, suddenly what he calls "Zen illumination": the discovery of the advertising poster as artistic expression of the city. Inin Rome, in the exhibition "actual art exhibition", he exhibited for the first time the 'torn poster'. In those years he also made use of the retro d'affiche, using the posters pasted on the side and obtaining non-figurative and monochrome works.

At the end of the Fifties, Rotella, is labeled by critics as a ripper or painter of glued paper.

Decollage di mimmo rotella biography: Domenico "Mimmo" Rotella (Catanzaro,

At night, tearing not only posters but also pieces of sheet metal from frames of the billboard zones of the Rome Municipality. In he receives in Rome the visit of the French critic Pierre Restanywith whom he began a long association. The curiosity of the public for the artist's extravagances, culminated in with the creation, the work of Enzo Nasso, a short film dedicated to angry Painters, which cure Rotella spoken commentary.

Pop Art and Abstract Expressionismwith the Informal and the spatial and material research in those years, Lucio Fontana and Alberto Burri taking place in Italy, they play an important role in the orientation of Rotella. Using typographic tools, between and he created his Art-typo, prints chosen and reproduced freely on the canvas.

This procedure is able to overlap and superimpose advertising images, reversing the previous approach. Inhe published his autobiography entitled Autorotella. In he recorded his first disc of phonetic poetry and in he took part in the "International Poetry Recital Sonora - Poetry Action". Another trial, in those years, it is that of rolling up posters and closing them in plexiglass cubes.

To frame his art, it is necessary to look at the art scene of the swhen progress was perceived negatively and positively, according to many different scenarios. The s thus witness a return to the objectan interest declined by the various currents. In England, the human figure is deformed this can be seen, for example, in the art of Francis BaconLucian Freud, Henry Moore : this is because, after World War II, the artists mentioned are in the grip of despondency, pervaded by a sense of emptiness and unable to see progress as a solution.

Attention is turned to consumerist society and the means by which the product is promoted studying marketing techniques, through effective advertising posters. Artists are no longer strangers to their audience, but want to involve the viewerbringing him or her inside the creative process that leads the artist to create his or her work.

Attention to everyday objects and the opening of art to the various aspects of life are concepts on which the American New Dada worked Manzoni himself is considered by some to be a New Dadabut before that the French Marchel Duchamp with his ready-mades already in the s. The movement developed parallel to the American New Dada experience, bringing a wave of novelty to the world panorama of contemporary art.

Mimmo Rotella in Mimmo Rotella, biography of the experimental artist Mimmo Rotella was born in CatanzaroItaly, on October 7,coming from a middle-class family. After graduation he enlisted in the army, from which he was discharged in He then enrolled at the Academy of Fine Arts in Naples, where he graduated in The following year,saw him in Romewhere he remained until ; here he met the artists of the Italian Avant-Garde.

Rotella, during his career, collaborated with not only Italian, but also American and French artists, allowing him to take his art all over the international territory.

Decollage di mimmo rotella biography: Mimmo Rotella was born in Catanzaro

In he had his first contact with French artists, exhibiting in Paris at the Salon des Realistes Nouvelles. Between and he was awarded a scholarship by the Fullbright Foundation, thanks to which he could travel to the United States. In the United States, however, he has the opportunity to meet the representatives of the new artistic trends. Returning to Rome inhe suddenly has what he himself calls "Zen illumination": the discovery of the advertising poster as an artistic expression as a message of the city.

Thus the decollage is born. In in Rome he exhibited for the first time "the torn poster". With the "Cinecitta" series of he chose the faces of the cinema posters.